标签: Alberto Zedda | CD | Ferdinand von Bothmer | Gioachino Rossini | Marianna Pizzolato | Maxim Mironov | Naxos | Olga Peretyatko | Prague Chamber Choir | Sonia Ganassi | South West German Radio Kaiserslautern Orchestra | Stefan Cifolelli | Tubingen Festival Band | Wojtek Gierlach
编号: Naxos 8.660235-36
魔术号角团购价: ￥66.00 (市场价: ￥70.00 节省: ￥4)
ROSSINI: Donna del lago (La)
First staged in Naples in 1819, Rossini's opera La donna del lago is based on Walter Scott's romantic poem The Lady of the Lake, setting a precedent for later composers, who also drew on Scott for their plots. Set in exotic 16th-century Scotland, the opera deals with the conflict between the Highland clansmen under Douglas and King James V, who generously forgives his enemy and allows the betrothal of his beloved Ellen, Douglas's daughter, to his former enemy, Malcolm.
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Disc 1
Gioachino Rossini
La donna del lago (The Lady of the Lake)
| Ganassi, Sonia, mezzo-soprano |
| Mironov, Maxim, tenor |
| Pizzolato, Marianna, mezzo-soprano |
| Bothmer, Ferdinand von, tenor |
| Gierlach, Wojtek, bass |
| Peretyatko, Olga, soprano |
| Cifolelli, Stefan, tenor |
| Prague Chamber Choir |
| Tubingen Festival Band |
| South West German Radio Kaiserslautern Orchestra |
| Zedda, Alberto, Conductor |
- Act I: Sinfonia - Introduction: Del di la messaggiera (Pastori, Pastorelle, Cacciatori) 00:04:55
South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Oh mattutini albori! (Elena) 00:04:06
Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Qual suon! Sull'alta rocca (Elena, Uberto) 00:03:06
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Scendi nel piccol legno (Elena, Uberto) 00:03:22
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Uberto! Ah! Dove ti ascondi? (Cacciatori) 00:04:27
Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Sei gia nel tetto mio (Elena, Uberto) 00:03:50
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: D'inibaca, donzella (Le compagne, Elena, Uberto) 00:03:14
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Sei gia sposa? (Uberto, Elena) 00:02:14
Mironov, Maxim, tenor Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Quali accenti! Quai tormenti! (Uberto, Elena) 00:02:23
Mironov, Maxim, tenor Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Ma son sorpreso (Uberto, Elena, Le compagne) 00:05:14
Mironov, Maxim, tenor Ganassi, Sonia, mezzo-soprano Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Mura felici (Malcolm) 00:02:30
Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Elena! Oh tu, che chiamo! (Malcolm) 00:03:29
Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Oh quante lacrime (Malcolm) 00:03:25
Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Figlia, e cosi (Douglas, Malcolm, Elena) 00:02:12
Gierlach, Wojtek, bass Pizzolato, Marianna, mezzo-soprano Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Taci, lo voglio, e basti (Douglas) 00:04:13
Gierlach, Wojtek, bass South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: E nel fatal conflitto (Elena, Malcolm) 00:01:35
Pizzolato, Marianna, mezzo-soprano Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Viver io non potro (Elena, Malcolm) 00:03:44
Ganassi, Sonia, mezzo-soprano Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Qual rapido torrente (Guerrieri, Rodrigo) 00:06:21
Prague Chamber Choir Bothmer, Ferdinand von, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Ma dov'e colei, che accende (Rodrigo, Guerrieri) 00:02:59
Bothmer, Ferdinand von, tenor Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Se a' miei voti Amor sorride (Rodrigo, Guerrieri) 00:02:29
Bothmer, Ferdinand von, tenor Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Alfin mi e dato, amico (Douglas, Rodrigo) 00:01:30
Gierlach, Wojtek, bass Bothmer, Ferdinand von, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Vieni, o stella (Guerrieri) 00:02:12
Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
Disc 2
Gioachino Rossini
La donna del lago (The Lady of the Lake)
| Ganassi, Sonia, mezzo-soprano |
| Mironov, Maxim, tenor |
| Pizzolato, Marianna, mezzo-soprano |
| Bothmer, Ferdinand von, tenor |
| Gierlach, Wojtek, bass |
| Peretyatko, Olga, soprano |
| Cifolelli, Stefan, tenor |
| Prague Chamber Choir |
| Tubingen Festival Band |
| South West German Radio Kaiserslautern Orchestra |
| Zedda, Alberto, Conductor |
- Act I: Quanto a quest'alma amante (Rodrigo, Douglas, Elena) 00:04:42
Bothmer, Ferdinand von, tenor Gierlach, Wojtek, bass Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: La mia spada (Malcolm, Elena, Douglas) 00:01:33
Pizzolato, Marianna, mezzo-soprano Ganassi, Sonia, mezzo-soprano Gierlach, Wojtek, bass South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Questo amplesso, a te fia pegno (Rodrigo, Malcolm, Douglas, Elena) 00:01:48
Bothmer, Ferdinand von, tenor Pizzolato, Marianna, mezzo-soprano Gierlach, Wojtek, bass Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Crudele sospetto (Rodrigo, Elena, Malcolm, Douglas, Albina, Donne, Guerrieri) 00:02:14
Bothmer, Ferdinand von, tenor Ganassi, Sonia, mezzo-soprano Pizzolato, Marianna, mezzo-soprano Gierlach, Wojtek, bass Peretyatko, Olga, soprano Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Sul colle a Morve opposto (Serano, Donne, GUerrieri, Douglas, Rodrigo, Malcolm) 00:02:02
Cifolelli, Stefan, tenor Prague Chamber Choir Gierlach, Wojtek, bass Bothmer, Ferdinand von, tenor Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Gia un raggio forier (Bardi, Albina, Donne, Guerrieri, Rodrigo, Douglas) 00:03:01
Prague Chamber Choir Peretyatko, Olga, soprano Bothmer, Ferdinand von, tenor Gierlach, Wojtek, bass South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act I: Su… amici! Guerrieri! (Malcolm, Rodrigo, Douglas, Guerrieri, Albina, Elena, Donne) 00:02:13
Pizzolato, Marianna, mezzo-soprano Bothmer, Ferdinand von, tenor Gierlach, Wojtek, bass Prague Chamber Choir Peretyatko, Olga, soprano Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Oh fiamma soave (Uberto) 00:08:30
Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Va', non temer (Elena, Serano, Uberto) 00:01:46
Ganassi, Sonia, mezzo-soprano Cifolelli, Stefan, tenor Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Alla ragion deh! Rieda (Elena, Uberto) 00:04:33
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Nume! Se a' miei sospiri (Elena, Uberto) 00:03:44
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Qual pena in me gia desta (Elena, Uberto, Rodrigo) 00:01:29
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor Bothmer, Ferdinand von, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Parla… Chi sei? (Rodrigo, Elena, Uberto, Guerrieri) 00:07:09
Bothmer, Ferdinand von, tenor Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor Prague Chamber Choir South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Quante sciagure in un sol giorno (Albina, Malcolm, Serano) 00:04:14
Peretyatko, Olga, soprano Pizzolato, Marianna, mezzo-soprano Cifolelli, Stefan, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Ah! si pera: ormai la morte (Malcolm) 00:04:14
Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Douglas! Douglas! Ti salva! (Guerrieri, Albina, Serano, Malcolm) 00:03:23
Prague Chamber Choir Peretyatko, Olga, soprano Cifolelli, Stefan, tenor Pizzolato, Marianna, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Reggia, ove nacqui (Elena) 00:00:56
Ganassi, Sonia, mezzo-soprano South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Che sento! (Elena, Giacomo) 00:01:46
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
- Act II: Stelle! Sembra! Egli stesso! (Elena, Giacomo) 00:01:33
Ganassi, Sonia, mezzo-soprano Mironov, Maxim, tenor South West German Radio Kaiserslautern Orchestra Zedda, Alberto, Conductor
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Although it's not well known, and parts of it were cobbled together quickly, La Donna del Lago is one of Rossini's most tuneful and magically scored operas. Probably its formidable vocal difficulties have kept it out of the repertory.There aren't that many tenors who want to sing high Ds on stage, and the two leading ladies (one in trousers) have many daunting florid passages. We've had few recordings of the whole opera, but two arias have taken on a life of their own: Malcolm's 'Mura Felici' and- a sensation in its day-Elena's 'Tanti Affetti'.
The new Naxos is as good as any of the competition. Ganassi and Pizzolato not only sing fluent coloratura, but they also bring incisive Italian to their utterances. The tenors are nicely contrasted, Mironov suaver and softer I than Bothmer but just as dramatically persuasive. Zedda, who knows his Rossini, leads a thrilling, energetic performance, with crisp, clear ensembles and lovely pointing of instrumental details. Ganassi ends the opera with an unusually wistful account of 'Tanti Affetti', consistent with Zedda's belief that the man she's ending up with (Malcolm) is not really the man she wants (Uberto, actually James V of Scotland). The sound is superb, though there was no reason to include so much applause.
The old Sony recording with Ricciarelli and Valentini-Terrani is long gone, and so are the bootlegs with Caballé and Hamari and Von Stade and Home. Muti on Philips has a good cast (two spectacular tenors in Rockwell Blake tind Chris Merritt) but he banishes all high interpolations and drives the music rather hard.
--Review by Lucano American Record Guide, May/June 2008
The lady may not be for turning into a stage hit but on disc she delights
Rossini wrote La donna del lago, a romantic tale of love and clan conflict set amid the lochs and mountains of Scotland in the reign of James V, for Naples in 1819, nine years after the publication of Sir Walter Scott's narrative poem The Lady of the Lake. The fashion for Walter Scott operas began here; so arguably did Romantic opera itself. Weber was in awe of the piece, as was Wagner. The atmospheric use of the hunt at the start of Act 2 of Tristan and Isolde and parts of Act I of Die Walküre both hark back to the exquisite 35-minute opening sequence that begins La donna del lago.
Revival of interest in the opera began with the 1981 Pesaro production of H Cohn Slim's new critical edition. Katia Ricciarelli sang Elena, Dalmacio Gonzales the King, Maurizo Pollini conducted. Since then, La donna del lago has been lucky on record, unlucky in the theatre, elusive to the touch of latter-day theatre directors who have either smothered the piece or, in the case of David Alden at last year's Garsington Festival, turned it into a subset of the Billy Connolly show.
Of the four recordings to have appeared since 1981, the Pollini (CBS, 7/85 - nla) was the most stylish and the most exacting: a touch too exacting for some tastes. Muti's 1992 Milan recording, with June Anderson and Rockwell Blake in the leading roles, is superb from just about every point of view. More recently, Opera Rara has given us a scrupulously presented transcript of a fine 2006 Edinburgh Festival concert performance.
The new Naxos set was also made live in 2006, in cooperation with the Rossini in Wildbad Festival. An excess of mid-act applause notwithstanding, it offers yet another distinguished account of the score. Key to the set's success is the cast of rising young stars of the Rossini circuit which veteran conductor and Rossini editor Alberto Zedda, 80 this year, has assembled. Maxim Mironov, the Prince in Peter Hall's celebrated Glyndebourne production of La Cenerentola, is memorable as the King and there are equally compelling performances by Sonia Ganassi, Marianna Pizzolato and Ferdinand von Bothmer. The set faces stiff competition from Philips's budget-price reissue of the Mud but it is a more than useful addition to the La donna del lago discography.
--Review by Richard Osborne, Gramophone, April 2008
"The high reputation of Naxos' delectable series of recordings of Rossini operas continues with this new release of La donna del lago. Many of the sets have featured conductor Alberto Zedda leading works of which he has an instinctive understanding. As evinced by the recent Opus Arte DVD of La pietra del paragone, Zedda has a grasp of both the stylistic issues facing those who perform Rossini and the inherent humour of the composer's scores, and he is the hero of this recording of La donna del lago. Like Maurizio Benini in the Opera Rara recording of the same piece, Zedda uses the new Critical Edition of the score edited by H. Colin Slim, but whereas Benini has better singers and players at his disposal, Zedda crafts a much more insightful account of the score. There is much more nuance within the phrases which Zedda creates than those of Benini; even the rustic choruses flanking the opening scene and the basic calls of hunting horns have greater inflection and verve in Zedda's hands. Benini's account is certainly very lively and exciting, but to hear Zedda conduct this music is to behold a master at work."
"Rossini's seventh opera for Naples is considered by some to signal the birth of Romantic opera. The choice of Sir Walter Scott's evocative The Lady of Lake for the plot was so successful that it sparked a series of other operas by Bellini, Donizetti and Bizet based on the same poet's works. The construction of the opera is highly unusual in many places and paved a way for both the looser construction and greater emotional focus of mid-Romantic opera. However, the beauty of the score is its most important asset: listen to any of the arias for the heroine Elena or the trouser role of Malcolm and you'll find Rossini at his best."
"Zedda's conducting of the SWR Radio Orchestra Kaiserslautern makes this a highly-recommended budget-priced release."
--Review by Dominic McHugh, MusicalCriticism.com, January 2008